February 1: The First 911 Call That Changed Emergencies Forever
On February 1, 1968, the first 911 call was made in Haleyville, Alabama. Before that day, Americans had to memorize separate numbers for police, fire, and ambulance.
Mickey Mouse comic strip debuted January 13, 1930 in newspapers. What started as a temporary assignment for Floyd Gottfredson lasted 45 years and made Mickey a global icon.
| Attribute | Value |
|---|---|
| Launch Date | January 13, 1930 in newspapers |
| Original Creative Team | Walt Disney writer Ub Iwerks artist Win Smith inker |
| Initial Run | First storyline ran January 13 to March 31, 1930 |
| Early Reach | 40 newspapers nearly two dozen countries by summer 1930 |
| Gottfredson Start | May 1930 as temporary replacement for Disney |
| Gottfredson Duration | 45 years from 1930 to 1975 |
| Syndication Partner | King Features Syndicate nationwide distribution |
| Cultural Achievement | Made Mickey universally recognized Disney symbol |
Mickey Mouse newspaper comic strip debuted January 13, 1930 written by Walt Disney and drawn by Ub Iwerks. A temporary replacement named Floyd Gottfredson took over in May 1930 for what became a 45 year career, making Mickey a global icon.
King Features president Joseph Connolly wrote Ub Iwerks in July 1929 saying Mickey animation was one of the funniest features he ever saw. He asked Disney to produce it in comic strip form. By November 1929 samples were approved and the strip launched January 13, 1930 nationwide.
Walt Disney personally wrote the strip from January 13, 1930 until May 17, 1930. He worked with artist Ub Iwerks and Win Smith handling inking. The first storyline adapted Plane Crazy, the 1928 cartoon Iwerks animated entirely by himself, bringing Mickey from screen to print.
When Ub Iwerks left Disney Studios, Floyd Gottfredson was placed in charge of the comic strip. Disney told him it was temporary. That assignment lasted 45 years from May 1930 to 1975, with Gottfredson becoming the definitive Mickey comic artist who shaped the character for newspaper readers worldwide.
The strip exploded in popularity after its January 13, 1930 debut. By summer 1930 it appeared in 40 newspapers across nearly two dozen countries. This expansion helped usher in Mickey golden age and made the mouse the universally recognized Disney symbol, proving comics could amplify animated characters beyond theaters.
Newspaper comics reached millions daily while cartoons played in theaters occasionally. The strip brought Mickey into homes every day, building deeper audience connections. This constant presence transformed Mickey from cartoon novelty into cultural institution, laying the foundation for Disney empire through daily entertainment.
Walt Disney wrote, Ub Iwerks drew, and Win Smith inked the first strips in January 1930. This team combined Disney storytelling with Iwerks animation genius to translate screen magic to print. When Iwerks left, Gottfredson seamlessly continued their vision.
The newspaper strip brought Mickey into American homes daily for the cost of a penny newspaper, while theater cartoons were expensive and occasional.
This daily presence built deeper emotional connections than theater visits, establishing Mickey as a household fixture rather than a novelty entertainment.
The strip proved animated characters could transcend their original medium and become multimedia franchises.
King Features Syndicate recognized what entertainment executives missed: animated characters had untapped potential beyond theaters.
Joseph Connolly's letter calling Mickey one of the funniest features he ever saw demonstrated how forward thinking syndicates understood character appeal better than film studios.
The rapid expansion to 40 newspapers by summer 1930 validated this vision, proving audiences wanted Mickey in multiple formats simultaneously.
The comic strip made Mickey universally accessible regardless of geography or income, allowing rural Americans without theaters to enjoy Mickey through local newspapers.
International readers in nearly two dozen countries encountered Mickey through translated strips, beginning Disney's global expansion decades before Disneyland.
The daily strip format allowed ongoing storytelling that built Mickey's personality far beyond what seven minute cartoons could achieve, creating the foundation for Disney's transmedia empire.
Before the comic strip, Mickey Mouse existed as a theatrical novelty that audiences saw occasionally when visiting movie theaters. Character recognition depended on expensive cartoon production and theater distribution, limiting Mickey to urban areas with cinema access. Disney's income relied entirely on theatrical shorts with no additional revenue streams.
After January 13, 1930, Mickey became a daily household presence through newspaper comics, reaching millions who never visited theaters. The strip generated licensing revenue separate from animation costs and proved Disney characters could sustain ongoing narratives. This success led Disney to aggressively pursue merchandise licensing, radio shows, and eventually television, establishing the multimedia franchise model that defines entertainment corporations today.
Mickey Mouse comic strip debuted January 13, 1930 with Walt Disney writing and Ub Iwerks drawing the characters
Floyd Gottfredson was told his Mickey Mouse comic strip job was temporary but it lasted 45 years from 1930 to 1975
By summer 1930 the Mickey Mouse comic strip appeared in 40 newspapers across nearly two dozen countries
King Features Syndicate president called Mickey animation one of the funniest features he ever saw in movies
The first Mickey Mouse comic strip adapted Plane Crazy cartoon that Ub Iwerks animated entirely by himself in 1928
Established the transmedia franchise model where characters exist simultaneously across multiple platforms
Proved that animation IP could generate revenue through licensing and syndication beyond original production costs
Floyd Gottfredson's 45 year tenure showed how single creatives can define beloved characters across generations
The strip's global reach demonstrated how American pop culture could achieve worldwide distribution through newspapers
Created the template for how Disney builds characters through consistent daily engagement rather than occasional entertainment
How much do you know? Take this quick quiz to find out!
The temporary job lasting 45 years reveals how major cultural institutions often emerge from supposed short term solutions
Newspaper syndication mattered more than theatrical releases for building Mickey's global recognition and emotional resonance
Walt Disney wrote the early strips himself because he understood comics required different storytelling than animation
The strip succeeded because it offered daily Mickey content when cartoons appeared monthly, creating habit forming engagement before anyone understood that concept
Mickey Mouse comic strip debuted January 13, 1930 in newspapers nationwide. Walt Disney wrote it with Ub Iwerks drawing and Win Smith inking. The first storyline adapted Plane Crazy cartoon from 1928. By summer 1930 it appeared in 40 newspapers across nearly two dozen countries.
This article is reviewed by the Pagefacts team.
Editorial Approach:
This article examines how the comic strip's daily format proved more important than theatrical cartoons for building Mickey's cultural dominance and creating Disney's transmedia business model.
Explore more fascinating facts in this category
On February 1, 1968, the first 911 call was made in Haleyville, Alabama. Before that day, Americans had to memorize separate numbers for police, fire, and ambulance.
On January 31, 1990, McDonald's opened in Moscow after 14 years of negotiations. Over 30,000 Soviets waited in line. A Big Mac cost half a day's wages.
On January 30, 1969, the Beatles played their final public concert on a London rooftop. Police came, traffic stopped, and John hoped they passed the audition.